In terms of individual compositions, I believe they all fit their respective areas well, utilising both timbral and cultural associations as well as realistically mirroring similar audio effects the player character would be experiencing in these areas to create an immersive soundtrack. As there was no original visual aid for my compositions, only pre-existing screenshots, there is a possibility that some elements of the pieces lack in an original vision, but, thanks to the experience I gained in this project, I feel that tackling new ideas and compositional styles in the future for original projects using the Logic to FMOD workflow is now far less daunting. I also believe that I did create some innovative and imaginative adaptive qualities, especially between the floors in the tomb and when ascending the mountain in the ice area.

I’m also very proud of how I utilised functions within FMOD to solve problems, an ability that I strongly feel shows true understanding of the program, and to create smooth transitions between different pieces. I believe these features are well tested using my theoretical player runs, documented on a previous page, and have internally consistent logic that works well.